Johnson's writing is solid, and if her plot unfolds a bit too schematically (the precise orchestration is supposedly due to the perfection of the villain's control), Vi's rebellion and process of change ring true. A repeat offender, Vi is forced to share a jail cell with a Baddie, Jag, and she begins to reassess the precepts that have been fed directly into her brain from childhood. Violet Schoenfeld, on the brink of 16, is arrested for being out after dark with a boy%E2%80%94two infractions in an endless litany of acts forbidden to Goodies. A dominant but corrupt government is one of the most familiar tropes in dystopian fiction, and Johnson's debut novel sets up a dichotomy between "Goodies," residents of the Goodgrounds, where behavior is controlled via brainwashing and omnipresent technology, and the "Baddies," who live out in the Badlands.
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